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                                            <image:caption>© Marianne Harlé</image:caption>
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                                            <image:caption>Diego Muhr. &lt;i&gt;Mind Palace&lt;/i&gt; (2021). Site-specific video walk&lt;br /&gt;
</image:caption>
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                                            <image:caption>Diego Muhr. &lt;i&gt;Construction Site&lt;/i&gt; (2022). Music theatre. For 6 performers and technical equipment</image:caption>
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                                            <image:caption>Diego Muhr. &lt;i&gt;Crop2 (2021). Performance for 5 walkers and light.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
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                                    </image:image>
            
                
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            <url>
                        <loc>https://corporateunconscious.cargo.site/3-1-videowalk:-exploring-the-format</loc>
            
            
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            <url>
                        <loc>https://corporateunconscious.cargo.site/3-1-1-walking-as-a-type-of-art-</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Hamish Fulton. &lt;i&gt;A 21 Day Walk&lt;/i&gt; (2010). Illustration. Cairngorms, Scotland.&lt;/span&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A1703028882119950793738973095892/Francis Alÿs The Greenline</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Francis Alÿs. &lt;i&gt;The Green Line&lt;/i&gt; (2004). Video.&lt;/span&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q1703031012977145724224118466516/Hamish-Fulton.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Hamish Fulton. &lt;i&gt;A 21 Day Walk&lt;/i&gt; (2010). Illustration. Cairngorms, Scotland.&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y1703031644427642111375779833812/Richard-Long---A-line-made-by-walking.jpeg</image:loc>
                                            <image:caption>Richard Long. &lt;i&gt;A line made by walking&lt;/i&gt; (1967). Photograph. Tate.</image:caption>
                                    </image:image>
            
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            <url>
                        <loc>https://corporateunconscious.cargo.site/3-1-2-audiowalks</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Documentary about &lt;i&gt;Rider Spoke&lt;/i&gt; (2007) by Blast Theory, on its Sydney edition in 2009.  The piece toured over 20 cities. &lt;br /&gt;
&lt;/span&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z1703084359134779228950146328532/Rider Spoke by Blast Theory</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Documentary about &lt;i&gt;Rider Spoke&lt;/i&gt; (2007) by Blast Theory, on its Sydney edition in 2009.  The piece toured over 20 cities. &lt;br /&gt;
&lt;/span&gt;</image:caption>
                                    </image:image>
            
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            <url>
                        <loc>https://corporateunconscious.cargo.site/3-1-3-the-emergence-of-the-videowalk-</loc>
            
            
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                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Janet Cardiff and Georg Bures Miller, &lt;i&gt;Alter Bahnhof Video Walk&lt;/i&gt; (2012). &lt;br /&gt;
dOCUMENTA(13), Kassel.&lt;/span&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M1703533185702691779406813472724/Alter Bahnhof Video Walk</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Janet Cardiff and Georg Bures Miller, &lt;i&gt;Alter Bahnhof Video Walk&lt;/i&gt; (2012). &lt;br /&gt;
dOCUMENTA(13), Kassel.&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/-3-1-4-choosing-the-format</loc>
            
            
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        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/3-2-site-specific-art-and-spatial-narratives</loc>
            
            
            <lastmod>2024-04-02T13:36:22+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Goethe Institut Santiago. Inside the metal cage, the library.&lt;/span&gt;&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1703101950982945586506302236628/goethe.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Goethe Institut Santiago. Inside the metal cage, the library.&lt;/span&gt;&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F1703104501743375866841971042260/goethe-map.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Diagram of the disposition of musicians and performers in &lt;i&gt;ASEPSIS&lt;/i&gt; (2018), by Oído Medio. Musicians were installed in the offices and performers surrounded the library&lt;/span&gt;&lt;br /&gt;
</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C1703104873371481975794597898196/insomnio3.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Oído Medio, &lt;i&gt;INSOMNIO&lt;/i&gt; (2019).&lt;/span&gt;&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L1703105012404592059343488427988/insomnio-map.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Diagram of the two rooms inside Galería Espora, in &lt;i&gt;INSOMNIO&lt;/i&gt; (2019). The audience were pedestrians passing by on the street. &lt;/span&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T1703105765087090498914323015636/Mind Palace (short documentation) - Diego Muhr</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Short documentation of my first videowalk&lt;i&gt; Mind Palace&lt;/i&gt; (2021)&lt;/span&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/3-3-engaging-audiences-in-a-constructed-reality</loc>
            
            
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        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/3-3-1-illusion-and-engagement:-the-rubber-hand-effect-in-theater</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Short documentary about the &lt;i&gt;Rubber Hand Illussion&lt;/i&gt;, BBC.&lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q1703125739756529089754389817300/The Rubber Hand Illusion - Horizon: Is Seeing Believing? - BBC Two</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Short documentary about the &lt;i&gt;Rubber Hand Illussion&lt;/i&gt;, BBC.&lt;br /&gt;&lt;/span&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M1703126439884253663326711850964/audicion.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Score extract of Angelo Solari&amp;#x27;s &lt;i&gt;Audición 1 &lt;/i&gt;(2014). &amp;#x22;You&amp;#x22; is the participant of the piece, and the other is a performer who sits in front of you.  Shown with permission of the composer. &lt;/span&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/3-3-2-we-should-invent-reality-before-filming-it</loc>
            
            
            <lastmod>2024-04-02T13:36:23+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Pierre Huyghe. Streamside Day (2003), film still. Film and video transfers; 26 minutes, color, sound.  Marian Goodman Gallery, Paris/New York. © Pierre Huyghe.&lt;/span&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D1703159208459065272089687893972/metal.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;This is Spinal Top (1984), film promotional poster. &lt;/span&gt;&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B1703161127289383819357246990292/streamside.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Pierre Huyghe. Streamside Day (2003), film still. Film and video transfers; 26 minutes, color, sound.  Marian Goodman Gallery, Paris/New York. © Pierre Huyghe.&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L1703163948239274547316718315476/Filming The Office</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Documentary about The Office and the Mockumentary, Jesse Tribble&amp;#x27;s Youtube Channel.&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/3-3-3-simul-entertainment-gmbh</loc>
            
            
            <lastmod>2024-04-02T13:36:21+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/3-4-meta-score</loc>
            
            
            <lastmod>2024-04-02T13:36:23+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Video of what was shown at the installation &lt;i&gt;The Full Score&lt;/i&gt;. At the end, a thermal printer provides a long score which represents 1 second.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L1703170748557690344048083347412/The Full Score (video) - Diego Muhr and Robin Plenio</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Video of what was shown at the installation &lt;i&gt;The Full Score&lt;/i&gt;. At the end, a thermal printer provides a long score which represents 1 second.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B1703186115470266995200380643284/thescore2.png</image:loc>
                                            <image:caption>Excerpt of the score printed live during &lt;i&gt;The Full Score&lt;/i&gt;. Each participant had the chance to keep a copy, which was roughly 2 meters long.&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M1703187396024793848043744274388/traffic-Light.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Video still of &amp;#x22;There Must Be A Frame Rate&amp;#x22;, &lt;i&gt;Corporate Unconscious&lt;/i&gt; (2023). &lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;&lt;media-item browser-default=&quot;true&quot; disable-zoom=&quot;true&quot; hash=&quot;P1703189201610550526808366000084&quot; limit-by=&quot;width&quot; scale=&quot;66.6%&quot;&gt;&lt;figcaption class=&quot;caption&quot; slot=&quot;caption&quot;&gt;Robin Meier. Synchronicity (2015). &lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P1703189201610550526808366000084/Synchronicity</image:loc>
                                            <image:caption>Robin Meier. Synchronicity (2015). &lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-creative-process</loc>
            
            
            <lastmod>2024-03-31T20:22:16+00:00</lastmod>
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        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-creative-process-1</loc>
            
            
            <lastmod>2024-03-31T20:22:16+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U1703312085887469628146124597204/asbuild.png</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-1-concept-development</loc>
            
            
            <lastmod>2024-04-02T13:36:23+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-1-1-synchronicity-and-simultaneity</loc>
            
            
            <lastmod>2024-04-02T13:36:23+00:00</lastmod>
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            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-1-2-corporate-language-as-a-narrative-tool</loc>
            
            
            <lastmod>2024-04-02T13:36:23+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Cabin of a Sky Airlines airplane, with advertisement on the luggage storage. &lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X1703197870621034478464728836052/Sky.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Cabin of a Sky Airlines airplane, with advertisement on the luggage storage. &lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M1703198553371926134602653247444/1990&#039;s Microsoft Commercial - &quot;The Switch is On&quot;</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Corporate commercial of Microsoft (1990).&lt;/span&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-2-space-research</loc>
            
            
            <lastmod>2024-04-02T13:36:23+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;&amp;#x22;Villa Hallway&amp;#x22;, Corridor at the underground of the Budge-Palais.&lt;br /&gt;
Still of video used for space recon.&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I1703204292707409787855447533524/Villa.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;&amp;#x22;Villa Hallway&amp;#x22;, Corridor at the underground of the Budge-Palais.&lt;br /&gt;
Still of video used for space recon.&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1703205204327055166507778844628/Backroom_empty.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;&amp;#x22;The Backroom&amp;#x22;, emergency exit hallway. Still of video used for space recon.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G1703205927513209832217040398292/Basement_3d_2.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;&amp;#x22;The Basement&amp;#x22;. 3D generated image of the hallways, with their centerline texturized as shiny aluminum.&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-3-development-of-visual,-auditory-and-performative-identity</loc>
            
            
            <lastmod>2024-04-02T13:36:23+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Corporate Commercial of Simul Entertainment GmbH. Video material was taken from several sources, and layered with new content.&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1703208245033008044569138571220/Simul Corporate Commercial - Diego Muhr and Robin Plenio</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Corporate Commercial of Simul Entertainment GmbH. Video material was taken from several sources, and layered with new content.&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-3-1-corporate-identity</loc>
            
            
            <lastmod>2024-04-02T13:36:23+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Logo of Simul Entertainment GmbH&lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F1703210234163868256743798876116/logo_white.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Logo of Simul Entertainment GmbH&lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P1703210885333934058690970920916/website.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Website of Simul Entertainment GmbH, based on &lt;a href=&quot;http://vortex.com&quot;&gt;vortex.com&lt;/a&gt;, one of the oldest websites online (since 1986).&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J1703211700052832818147027593172/corporate.JPG</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Team photo of Simul Entertainment GmbH. This picture was framed and hidden in several places of the HfMT as an easter egg.&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-3-2-art-direction-and-stage-design</loc>
            
            
            <lastmod>2024-04-02T13:36:23+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z1703219049991988291054483023828/IADSY4.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F1703219050028881779201902127060/IADSY.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L1703225081191856678539802978260/dummy.jpg</image:loc>
                                            <image:caption>Still from &amp;#x22;&lt;i&gt;Dynamics Of A Crash&lt;/i&gt;&amp;#x22; (1970s), a film from Chrysler Corporation about car crashes and passenger safety. &lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T1703227823540170908422874867668/vacuum.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Diego Muhr and Robin Plenio, &lt;i&gt;The Vacuum Chamber&lt;/i&gt; (2022). Installation.&lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A1703228980261704794454018500564/videowall1.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;3D Render of MFS room, with the video wall as a thin hallway. The screen projects to the inside. &lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M1703229339567385862168664877012/videowall-No-render.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;MFS room with the video wall already installed. All cable and rigging objects were left exposed.&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F1703231002578257595232162162644/Parafernalia.jpg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Corporate paraphernalia in &lt;i&gt;Waiting Room I&lt;/i&gt;. The same exact distribution of objects repeated in three different places along the piece. © Öncü Gültekin&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-3-3-performativity</loc>
            
            
            <lastmod>2024-04-02T13:36:23+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;One of the multiple commercials the USA Department of Transportation made during the 80&amp;#x27;s to raise awareness about seatbelt safety. &lt;/span&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R1703233828877704104567403456468/Crash Test Dummy Commercial</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;One of the multiple commercials the USA Department of Transportation made during the 80&amp;#x27;s to raise awareness about seatbelt safety. &lt;/span&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G1703234508511096012248413644756/pinto.jpg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;A tired João Carlos Pinto surrounded by mannequins during the shooting of &lt;i&gt;&amp;#x22;The Wait Accelerates”&lt;/i&gt;. &lt;br /&gt;
© Marianne Harlé&lt;br /&gt;
&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B1703235266653830697637275510740/constructionSite.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Diego Muhr. Construction Site (2022). © Bayaru Takshina&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U1703236260767315573918721648596/worker_intercourse.jpg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Behind the scenes picture of a mannequin and a performer while shooting &lt;i&gt;&amp;#x22;EXP. 044: Together / At the same time&lt;/i&gt;&amp;#x22;. © Marianne Harlé&lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-3-4-costumes</loc>
            
            
            <lastmod>2024-04-02T13:36:23+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Early sketches for the costume design. &lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q1703239473396923218953102436308/hannah_drawing.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Early sketches for the costume design. &lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C1703240268894314653603806324692/Screenshot-2024-03-31-at-18.00.36.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Behind the scenes picture of a Hannah Ruth Trusch fitting the costumes before the shooting. &lt;br /&gt;
© Tam Thi Pham&lt;/span&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J1703240413074066333717661755348/markers.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;VFX markers and police-line strips were references for the costume design. &lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-3-5-music-composition</loc>
            
            
            <lastmod>2024-04-02T13:36:24+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Compilation of 90&amp;#x27;s jingles and background music, heavily used for TV advertisements.  &lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A1703244615334600045122067638228/One hour of 90s classic old library music - instrumental background music made for TV</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Compilation of 90&amp;#x27;s jingles and background music, heavily used for TV advertisements.  &lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-3-6-cinematography</loc>
            
            
            <lastmod>2024-04-02T13:36:24+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Left: Contemporary walk in 1.85:1 ratio. Right: 3d animation in 1.33:1 (4:3) ratio.&lt;/span&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q1703249339103035464369207257044/ratios.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Left: Contemporary walk in 1.85:1 ratio. Right: 3d animation in 1.33:1 (4:3) ratio.&lt;/span&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G1703249908111303162014036404180/vhs.JPG</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;A Panasonic VHS M5 camera was used to capture the found footage. &lt;br /&gt;
© Marianne Harlé&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-4-dramaturgy-and-script-development</loc>
            
            
            <lastmod>2024-04-02T13:36:24+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Still from &lt;i&gt;The Stanley Parable&lt;/i&gt; (2013), Galactic Cafe.&lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N1703255368033954330788252362708/parable.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Still from &lt;i&gt;The Stanley Parable&lt;/i&gt; (2013), Galactic Cafe.&lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R1703256789761413579730814511060/The Centrifuge Brain Project | A Short Film by Till Nowak</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Till Nowak. &lt;i&gt;The Centrifuge Brain Project &lt;/i&gt;(2011). Short Film&lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-4-1-narrative-layers</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-4-2-storytelling</loc>
            
            
            <lastmod>2024-04-02T13:36:24+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-4-3-dramaturgical-arc</loc>
            
            
            <lastmod>2024-04-02T13:36:24+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-4-4-space-score-and-timing</loc>
            
            
            <lastmod>2024-04-02T13:36:24+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Score excerpt of &lt;i&gt;Asepsis&lt;/i&gt; (2018), Oído Medio.&lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B1703264893526765624779096729556/Asepsis.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Score excerpt of &lt;i&gt;Asepsis&lt;/i&gt; (2018), Oído Medio.&lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z1703265416971575460361333385172/CS.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Score excerpt of &lt;i&gt;Construction Site &lt;/i&gt;(2022), for 5 performers and lights.&lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B1703266509830481363210009323476/Map.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Position of all participants of &lt;i&gt;Corporate Unconscious&lt;/i&gt; within the building at a certain moment. This video displayed at the MFS room, as part of the control room. &lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-5-videowalk-production-phases</loc>
            
            
            <lastmod>2024-04-02T13:36:24+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-5-1-creation-of-fake-historical-footage</loc>
            
            
            <lastmod>2024-04-02T13:36:24+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Behind the scenes picture when shooting the fake historical footage. &lt;br /&gt;
© Marianne Harlé&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J1703269417018900635761634453460/faux.JPG</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Behind the scenes picture when shooting the fake historical footage. &lt;br /&gt;
© Marianne Harlé&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-5-2-wideowalk-filming</loc>
            
            
            <lastmod>2024-04-02T13:36:24+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-5-3-3d-modeling-and-scanning-of-the-space</loc>
            
            
            <lastmod>2024-04-02T13:36:24+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>As-build 3d model of the Mirror Hallway, HfMT. No textures have been added yet.&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L1703271902330282942575814125524/lidar.jpg</image:loc>
                                            <image:caption>Leica BLK360 LiDAR scanner, creating a cloud point of a room. &lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G1703272036161411197338611099604/as-build.png</image:loc>
                                            <image:caption>As-build 3d model of the Mirror Hallway, HfMT. No textures have been added yet.&lt;br /&gt;
</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-5-4-vfx-development-and-3d-animated-scenes</loc>
            
            
            <lastmod>2024-04-02T13:36:25+00:00</lastmod>
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            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>Raw render from Unreal Engine for the scene &lt;i&gt;&amp;#x22;EXP. 044: Together / At the same time&amp;#x22;. &lt;/i&gt; The image then was aged in postprocess.&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I1703278502612206004000801433556/seso.png</image:loc>
                                            <image:caption>Raw render from Unreal Engine for the scene &lt;i&gt;&amp;#x22;EXP. 044: Together / At the same time&amp;#x22;. &lt;/i&gt; The image then was aged in postprocess.&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-5-5-documentary-development</loc>
            
            
            <lastmod>2024-05-27T19:14:56+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-6-performance-and-participantion</loc>
            
            
            <lastmod>2024-04-02T13:36:25+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-6-1-installations-self-reflective-moments</loc>
            
            
            <lastmod>2024-04-02T13:36:25+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Waiting Room I. A participant signs a contract, then gets an iPad to start the videowalk.  &lt;br /&gt;
© Öncü Gültekin&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M1703286050282011203000940636116/waitingRoom.jpg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Waiting Room I. A participant signs a contract, then gets an iPad to start the videowalk.  &lt;br /&gt;
© Öncü Gültekin&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L1703287878723283789091696814036/contract.png</image:loc>
                                            <image:caption>Contract used at The Waiting Room I. Once participants signed it, they were given the iPads.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R1703295770738460612028036032468/mesa1.png</image:loc>
                                            <image:caption>The Final Experiment. © Öncü Gültekin</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J1703295770886034564617712445396/mesa2.png</image:loc>
                                            <image:caption>The Waiting Room III © Öncü Gültekin</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-6-2-leveled-performances</loc>
            
            
            <lastmod>2024-04-02T13:36:25+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>L
evel 1 of &amp;#x22;&lt;i&gt;The Final Experiment&amp;#x22;&lt;/i&gt;. A participant watches the almost-still video of a 3d character, with a real video of a hallway as background.  
&lt;br /&gt;
© Öncü Gültekin&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O1703302843625966841891735742420/anne2.png</image:loc>
                                            <image:caption>L
evel 1 of &amp;#x22;&lt;i&gt;The Final Experiment&amp;#x22;&lt;/i&gt;. A participant watches the almost-still video of a 3d character, with a real video of a hallway as background.  
&lt;br /&gt;
© Öncü Gültekin&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1703304469595776474946453383124/mfs2.png</image:loc>
                                            <image:caption>Level 2 of &amp;#x22;&lt;i&gt;The Final Experiment&amp;#x22;&lt;/i&gt;. A participant stands in front of the video wall. A 3D-generated image of a hallway makes the backdrop for real-life performers and mannequins.  &lt;br /&gt;
© Öncü Gültekin&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G1703305637053315411876556056532/videogame.png</image:loc>
                                            <image:caption>Level 3 of &lt;i&gt;&amp;#x22;The Final Experiment&amp;#x22;&lt;/i&gt;. A participant sits in front of &amp;#x22;Corporate Unconscious: The Game&amp;#x22; © Öncü Gültekin</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-6-3-fake-participants-and-recursive-participation</loc>
            
            
            <lastmod>2024-04-02T13:36:25+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-6-4-easter-eggs</loc>
            
            
            <lastmod>2024-04-02T13:36:25+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>A participant finds the Simul logo embedded into the sculpture &amp;#x22;Dreiklang&amp;#x22; by Jan Meyer-Rogge, outside the HfMT.  © Öncü Gültekin&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J1703308380434647309887362836436/end.jpg</image:loc>
                                            <image:caption>A participant finds the Simul logo embedded into the sculpture &amp;#x22;Dreiklang&amp;#x22; by Jan Meyer-Rogge, outside the HfMT.  © Öncü Gültekin&lt;br /&gt;
</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-7-multimedia-techniques</loc>
            
            
            <lastmod>2024-04-02T13:36:25+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-7-1-lidar-scanning-and-as-build-modeling</loc>
            
            
            <lastmod>2024-04-02T13:36:25+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Cloud point captured at the MFS Room, using a LiDAR laser.&lt;/span&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L1703311982567256071298925995988/cloud.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Cloud point captured at the MFS Room, using a LiDAR laser.&lt;/span&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U1703312085887469628146124597204/asbuild.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;As-build 3d model of the MFS room, based on the cloud point data.&lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-7-2-on-site-shading-and-texturing</loc>
            
            
            <lastmod>2024-04-02T13:36:25+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;MFS Room after the process of adding textures in Unreal Engine.&lt;/span&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q1703316110598091630096096176084/textures.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;MFS Room after the process of adding textures in Unreal Engine.&lt;/span&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-7-3-character-and-animations</loc>
            
            
            <lastmod>2024-04-02T13:36:26+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Process image of transferring the real costumes to Unreal Engine&amp;#x27;s metahumans, using Marvelous Designer. &lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L1703318232563955917053237667796/marveolus.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Process image of transferring the real costumes to Unreal Engine&amp;#x27;s metahumans, using Marvelous Designer. &lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-7-4-camera-tracking-and-vfx-compositing</loc>
            
            
            <lastmod>2024-04-02T13:36:26+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Camera tracking tests, using SynthEyes and Unreal Engine. &lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J1703320854971540179676804949972/Camera Tracking Test  - Corporate Unconscious</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Camera tracking tests, using SynthEyes and Unreal Engine. &lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-7-5-virtual-production</loc>
            
            
            <lastmod>2024-04-02T13:36:26+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Video wall showing a 3d-generated hallway. The image was distorted so it only had the right proportions from the viewer&amp;#x27;s perspective. &lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1703322314035209433807499569108/videowall2.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Video wall showing a 3d-generated hallway. The image was distorted so it only had the right proportions from the viewer&amp;#x27;s perspective. &lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q1703322381402718790994782070740/videowallGrid.png</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Madmapper was used to generate a planar point of view, on a u-shaped video wall. &lt;/span&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-7-6-video-game-development</loc>
            
            
            <lastmod>2024-04-02T13:36:26+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Full gameplay of Corporate Unconscious: The Game&lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B1703324427515571446858247317460/Corporate Unconscious: The Game (full gameplay)</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Full gameplay of Corporate Unconscious: The Game&lt;br /&gt;&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-7-7-spatial-audio</loc>
            
            
            <lastmod>2024-04-02T13:36:26+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-7-8-ai-text-models</loc>
            
            
            <lastmod>2024-04-02T13:36:26+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://corporateunconscious.cargo.site/4-7-9-ios-playback-app</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E1606133341264165405223950917299/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Screenshot of the iOS playback app. It was normally set by the person who was giving the iPads to the participants. The full code for the App can be found &lt;a href=&quot;https://github.com/dmuhr/PintoApp&quot;&gt;here&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Screenshot of the iOS playback app. It was normally set by the person who was giving the iPads to the participants. The full code for the App can be found &lt;a href=&quot;https://github.com/dmuhr/PintoApp&quot;&gt;here&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;</image:caption>
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                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Lucas Xerxes, checking if all iPads are properly synchronized.&lt;/span&gt;&lt;br /&gt;</image:caption>
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